![]() ![]() (The mono 660 version and the dual-channel 670 were released almost at the same time. It was for this very reason the two-channel Fairchild 670 was designed for use either as a dual-mono unit (with unlinked stereo channels) or in M-S mode. The Mid-Sides (M-S) process helped to save lacquer real estate during the cutting process, and (an equally important benefit at the time) it retained mono compatibility. To maintain parameters like programme length and level, dynamic shaping of the audio material was essential. Virtually twice the amount of information as on a mono LP needed to be stored on the same size surface for a stereo record. The Fairchild was designed at a time when stereophonic recording techniques and the stereo vinyl record were becoming established. Never owned one, maybe someone who owns one or worked with it can chyme in.Ī little bit of history from Sound on Sound. It uses vacuum tubes for reduction of gain. This compressor is based on Fairchild 670. ![]() You get three bus compressors FG-Grey Fg- Red and FG-MU. Everyone knows the Slate bus compressor bundle. ![]()
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